Atlantic Records
Atlantic Records, gegründet 1947: Jazzkünstler und Alben des Labels.
Künstler bei Atlantic Records
Ornette Coleman
1930–2015 · amerikanischer Jazz-Musiker und -Komponist
Lalo Schifrin
1932–2025 · argentinisch-US-amerikanischer Komponist
Mel Tormé
1925–1999 · US-amerikanischer Jazz-Sänger und Schauspieler
Jan Akkerman
* 1946 · niederländischer Musiker, Rock- und Jazzgitarrist
Bobby Hutcherson
1941–2016 · US-amerikanischer Vibraphonist des Modern Jazz
Madeleine Peyroux
* 1973 · US-amerikanische Chanson-Jazz-Sängerin, Komponistin…
Junior Mance
1928–2021 · US-amerikanischer Jazz-Pianist
Hank Crawford
1934–2009 · US-amerikanischer R&B- und Jazz-Saxophonist
Harold Land
1928–2001 · US-amerikanischer Tenorsaxophonist und Komponist
Shorty Rogers
1924–1994 · US-amerikanischer Jazztrompeter und Arrangeur
Alejandra Ávalos
* 1965 · Mexican singer, musician and actress
Von Freeman
1923–2012 · US-amerikanischer Jazzsaxophonist
Eddie Higgins
1932–2009 · US-amerikanischer Jazz-Pianist
Dave Pike
1938–2015 · amerikanischer Jazz-Vibraphonist
Labelprofil
American record label.
Label Code: LC 0121/LC 00121.
For counterfeit editions and other unofficial versions of its releases, please see Atlantic (2).
History
In 1947, Ahmet Ertegun, Herb Abramson and his wife Miriam Abramson (née Miriam Kahan) started an independent record label in New York City, which they named Atlantic Records, with financial backing from a Turkish dentist, Dr. Vahdi Sabi. They were later joined by Ahmet's brother Nesuhi Ertegun and Jerry Wexler. Growing from literally a one-room operation into one of the preeminent companies in the rapidly evolving music industry, the Atlantic label soon became recognized and revered around the world — a name synonymous with artistry and quality.
On February 1, 1958, Atlantic entered the stereo tape market, and they released their first stereo LPs late May/early June 1958. Chief engineer Tom Dowd developed special techniques for stereo recording and described it as "sound in the round" because it gave the illusion of being "omni-directional" (the sound coming from a broad center) as opposed to most stereo engineers who were striving for extreme left and right directionality. In 1959, Atlantic Records and Atlantic Studios both
Profil von Discogs (CC0, englisch)