Atlantic Records
Atlantic Records, fondazione 1947: artisti e album jazz dell'etichetta.
Atlantic Records (o Atlantic Recording Corporation) è una casa discografica fondata nel 1947 da Ahmet Ertegün e Herb Abramson.
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Artisti di Atlantic Records
Ornette Coleman
1930–2015 · sassofonista e compositore statunitense
Lalo Schifrin
1932–2025 · compositore, arrangiatore e pianista argentino (1932-2025)
Mel Tormé
1925–1999 · cantante e musicista statunitense
Jan Akkerman
n. 1946 · chitarrista olandese
Bobby Hutcherson
1941–2016 · vibrafonista statunitense
Madeleine Peyroux
n. 1973 · cantautrice statunitense
Junior Mance
1928–2021 · pianista statunitense
Hank Crawford
1934–2009 · sassofonista, arrangiatore e compositore statunitense…
Harold Land
1928–2001 · sassofonista, compositore, professore universitario…
Shorty Rogers
1924–1994 · trombettista statunitense
Alejandra Ávalos
n. 1965 · cantautrice e attrice messicana
Von Freeman
1923–2012 · American jazz saxophonist (1923–2012)
Eddie Higgins
1932–2009 · musicista jazz, direttore di banda, pianista, direttore…
Dave Pike
1938–2015 · American jazz musician (1938–2015)
Profilo dell'etichetta
American record label.
Label Code: LC 0121/LC 00121.
For counterfeit editions and other unofficial versions of its releases, please see Atlantic (2).
History
In 1947, Ahmet Ertegun, Herb Abramson and his wife Miriam Abramson (née Miriam Kahan) started an independent record label in New York City, which they named Atlantic Records, with financial backing from a Turkish dentist, Dr. Vahdi Sabi. They were later joined by Ahmet's brother Nesuhi Ertegun and Jerry Wexler. Growing from literally a one-room operation into one of the preeminent companies in the rapidly evolving music industry, the Atlantic label soon became recognized and revered around the world — a name synonymous with artistry and quality.
On February 1, 1958, Atlantic entered the stereo tape market, and they released their first stereo LPs late May/early June 1958. Chief engineer Tom Dowd developed special techniques for stereo recording and described it as "sound in the round" because it gave the illusion of being "omni-directional" (the sound coming from a broad center) as opposed to most stereo engineers who were striving for extreme left and right directionality. In 1959, Atlantic Records and Atlantic Studios both
Profilo da Discogs (CC0, in inglese)