ENDEIT

Album · 2001

Portrait

von Coleman Hawkins

Erschienen
2001
Label
Past Perfect
Titelliste
196 Titel
Spieldauer
10:11:07
Land
DE

„Portrait“ ist ein Album von Coleman Hawkins, erschienen 2001 bei Past Perfect. Die Originalausgabe enthält 196 Titel mit einer Spieldauer von 10:11:07. Zu den Jazzstandards auf der Platte gehören „A Pretty Girl Is Like A Melody“, „After You've Gone“, „April In Paris“ und „Avalon“. In der Besetzung spielen Coleman Hawkins (tenor saxophone), Gene Rodgers (piano), Oscar Pettiford (double bass), Al Casey (guitar) und Budd Johnson (tenor saxophone, alto saxophone).

Wer spielte auf Portrait

  • Coleman Hawkins tenor saxophone auf 40 Titeln
  • Gene Rodgers piano auf 8 Titeln
  • Oscar Pettiford double bass auf 8 Titeln
  • Al Casey guitar auf 5 Titeln
  • Budd Johnson tenor saxophone, alto saxophone auf 5 Titeln
  • Cozy Cole drums (drum set) auf 5 Titeln
  • Eustis Moore alto saxophone auf 5 Titeln
  • Jackie Fields alto saxophone auf 5 Titeln
  • Joe Guy trumpet auf 5 Titeln
  • Max Roach drums (drum set) auf 5 Titeln
  • Teddy Wilson piano auf 5 Titeln
  • Tommy Lindsay trumpet auf 5 Titeln
  • Walter Johnson drums (drum set) auf 5 Titeln
  • Arthur Herbert drums (drum set) auf 4 Titeln
  • Earl Hardy trombone auf 4 Titeln
  • J.C. Higginbotham trombone auf 4 Titeln
  • Sid Catlett drums (drum set) auf 4 Titeln
  • William Oscar Smith double bass auf 4 Titeln
  • Art Tatum piano auf 3 Titeln
  • Benny Carter trumpet auf 3 Titeln
  • Bernard Addison guitar auf 3 Titeln
  • Billy Taylor Sr. double bass auf 3 Titeln
  • Chuck Wayne guitar auf 3 Titeln
  • Cootie Williams trumpet auf 3 Titeln
  • Danny Polo clarinet auf 3 Titeln
  • Don Byas tenor saxophone auf 3 Titeln
  • Edmond Hall clarinet auf 3 Titeln
  • Ellis Larkins piano auf 3 Titeln
  • Fats Navarro trombone auf 3 Titeln
  • Hank Jones piano auf 3 Titeln
  • Israel Crosby double bass auf 3 Titeln
  • J.J. Johnson trombone auf 3 Titeln
  • Jack Lesberg double bass auf 3 Titeln
  • John Kirby double bass, bass auf 3 Titeln
  • Johnny Guarnieri piano auf 3 Titeln
  • Johnny Williams double bass auf 3 Titeln
  • Lawrence Lucie guitar auf 3 Titeln
  • Marion DeVeta bass auf 3 Titeln
  • Shelly Manne drums (drum set) auf 3 Titeln
  • Al Lucas double bass auf 2 Titeln
  • Andy Fitzgerald clarinet auf 2 Titeln
  • Bill Coleman trumpet auf 2 Titeln
  • Claude Jones trombone auf 2 Titeln
  • Denzil Best drums (drum set) auf 2 Titeln
  • Freddy Johnson piano auf 2 Titeln
  • Harry Carney baritone saxophone auf 2 Titeln
  • Henry “Red” Allen trumpet auf 2 Titeln
  • Hilton Jefferson alto saxophone, clarinet, reeds auf 2 Titeln
  • Horace Henderson piano auf 2 Titeln
  • Tab Smith alto saxophone auf 2 Titeln
  • Bobby Stark trumpet auf 1 Titel
  • Clyde Hart piano auf 1 Titel
  • Dicky Wells trombone auf 1 Titel
  • Dizzy Gillespie trumpet auf 1 Titel
  • Django Reinhardt guitar auf 1 Titel
  • Eddie Heywood piano auf 1 Titel
  • Eddie Robinson double bass auf 1 Titel
  • Eddie Vanderveer trumpet auf 1 Titel
  • Emmett Berry trumpet auf 1 Titel
  • Ernie Powell alto saxophone auf 1 Titel
  • Fritz Reinders guitar auf 1 Titel
  • Howard McGhee trumpet auf 1 Titel
  • J.C. Heard drums (drum set) auf 1 Titel
  • Jack Pet double bass auf 1 Titel
  • Jimmy Shirley guitar auf 1 Titel
  • Kees Kranenburg drums (drum set) auf 1 Titel
  • Leo Parker alto saxophone auf 1 Titel
  • Leonard Lowry alto saxophone auf 1 Titel
  • Mack Shopnick double bass auf 1 Titel
  • Maurice van Kleef drums (drum set) auf 1 Titel
  • Nelson Bryant trumpet auf 1 Titel
  • Ray Abrams tenor saxophone auf 1 Titel
  • Roy Eldridge trumpet auf 1 Titel
  • Russell Procope reeds auf 1 Titel
  • Russell Smith trumpet auf 1 Titel
  • Sandy Williams trombone auf 1 Titel
  • Sir Charles Thompson piano auf 1 Titel
  • Stanley Black piano auf 1 Titel
  • Stéphane Grappelli piano auf 1 Titel
  • Thelma Carpenter vocals auf 1 Titel
  • Tommy Stevenson trumpet auf 1 Titel
  • Victor Coulsen trumpet auf 1 Titel
  • Walter "Foots" Thomas alto saxophone auf 1 Titel
  • Walter Catlett drums (drum set) auf 1 Titel
  • William Cato trombone auf 1 Titel

Titelliste

  1. 1-1 Hello, Lola (New York, November 14, 1929) 3:14
  2. 1-2 One Hour (New York, November 14, 1929) 3:25
  3. 1-3 Dismal Dan (New York, April 4, 1930) 3:07
  4. 1-4 Poor Richard (New York, April 4, 1930) 3:03
  5. 1-5 Down Georgia Way (New York, April 4, 1930) 3:30
  6. 1-6 Georgia on My Mind (New York, June 30, 1931) Standard — Hoagy Carmichael 3:20
  7. 1-7 I Can’t Believe That You’re in Love With Me (New York, June 30, 1931) Standard — Jimmy McHugh 3:07
  8. 1-8 The Darktown Strutter’s Ball (New York, June 30, 1931) — Shelton Brooks 3:28
  9. 1-9 You Rascal, You (New York, June 30, 1931) — Sam Theard 3:01
  10. 1-10 The Day You Came Along (New York, September 29, 1933) 3:37
  11. 1-11 Jamaica Shout (New York, September 29, 1933) 2:59
  12. 1-12 Heartbreak Blues (New York, September 29, 1933) 3:28
  13. 1-13 Happy Feet (New York, October 3, 1933) 2:49
  14. 1-14 Rhythm Crazy (New York, October 3, 1933) 3:17
  15. 1-15 Ol’ Man River (New York, October 3, 1933) Standard 3:07
  16. 1-16 Minnie the Moocher’s Wedding Day (New York, October 3, 1933) — Harold Arlen 3:06
  17. 1-17 Ain’t Cha Glad (New York, October 3, 1933) 3:20
  18. 1-18 I’ve Got to Sing a Torch Song (New York, October 3, 1933) — Harry Warren 3:38
  19. 1-19 It Sends Me (New York, March 8, 1934) 3:15
  20. 1-20 I Ain’t Got Nobody (New York, March 8, 1934) Standard 3:17
  21. 2-1 On the Sunny Side of the Street (New York, March 8, 1934) Standard — Jimmy McHugh 3:28
  22. 2-2 Lullaby (London, November 18, 1934) 2:57
  23. 2-3 Lady Be Good (London, November 18, 1934) — George Gershwin 2:44
  24. 2-4 Lost in a Fog (London, November 18, 1934) — Jimmy McHugh 3:05
  25. 2-5 Honeysuckle Rose (London, November 18, 1934) Standard — Fats Waller 3:04
  26. 2-6 Some of These Days (The Hague, February 4, 1935) — Shelton Brooks 2:32
  27. 2-7 After You’ve Gone (The Hague, February 4, 1935) Standard — Turner Layton 2:36
  28. 2-8 I Only Have Eyes for You (The Hague, February 4, 1935) Standard — Harry Warren 2:43
  29. 2-9 I Wish I Were Twins (The Hague, February 4, 1935) — Frank Loesser, Joseph Meyer 2:34
  30. 2-10 Hands Across the Table (The Hague, February 4, 1935) — Jean Delettre 3:05
  31. 2-11 Blue Moon (Paris, March 2, 1935) Standard 3:13
  32. 2-12 Avalon (Paris, March 2, 1935) Standard 2:59
  33. 2-13 What a Difference a Day Made (Paris, March 2, 1935) Standard — María Grever 3:18
  34. 2-14 Stardust (Paris, March 2, 1935) — Hoagy Carmichael 3:12
  35. 2-15 Chicago (Casino Hamdorff, Laren, August 26, 1935) Standard 3:02
  36. 2-16 Meditation (Casino Hamdorff, Laren, August 26, 1935) Standard 3:02
  37. 2-17 What Harlem Is to Me (Casino Hamdorff, Laren, August 26, 1935) 2:43
  38. 2-18 Netcha’s Dream (Casino Hamdorff, Laren, August 26, 1935) 2:35
  39. 2-19 Love Cries (Zurich, May 4, 1936) 3:06
  40. 2-20 Sorrow (Zurich, May 4, 1936) 3:03
  41. 3-1 Tiger Rag (Zurich, May 4, 1936) — Eddie Edwards, Nick LaRocca, Henry Ragas, Tony Sbarbaro 2:23
  42. 3-2 It May Not Be True (Zurich, May 4, 1936) 3:11
  43. 3-3 I Wanna Go Back to Harlem (Casino Hamdorff, Laren, April 27, 1937) 2:59
  44. 3-4 Consolation (Casino Hamdorff, Laren, April 27, 1937) 3:03
  45. 3-5 A Strange Fact (Casino Hamdorff, Laren, April 27, 1937) 2:36
  46. 3-6 Original Dixieland One Step (Casino Hamdorff, Laren, April 27, 1937) 1:58
  47. 3-7 Smiles (Casino Hamdorff, Laren, April 27, 1937) 3:00
  48. 3-8 Something Is Gonna Give Me Away (Casino Hamdorff, Laren, April 27, 1937) — Coleman Hawkins 3:03
  49. 3-9 Honeysuckle Rose (Paris, April 28, 1937) — Fats Waller 2:45
  50. 3-10 Crazy Rhythm (Paris, April 28, 1937) Standard 3:00
  51. 3-11 Out of Nowhere (Paris, April 28, 1937) Standard 3:17
  52. 3-12 Sweet Georgia Brown (Paris, April 28, 1937) Standard — Ben Bernie, Maceo Pinkard 3:00
  53. 3-13 Lamentation (Hilversum, May 26, 1937) 2:58
  54. 3-14 Devotion (Hilversum, May 26, 1937) 2:47
  55. 3-15 Star Dust (Hilversum, August 18, 1937) Standard — Hoagy Carmichael 2:31
  56. 3-16 Well, All Right Then (Hilversum, August 18, 1937) 2:29
  57. 3-17 Blues Evermore (Hilversum, June 14, 1938) 2:45
  58. 3-18 Dear Old Southland (Hilversum, June 14, 1938) — Turner Layton 2:43
  59. 3-19 ’Way Down Yonder in New Orleans (Hilversum, June 14, 1938) — Turner Layton 2:54
  60. 4-1 I Know That You Know (Hilversum, June 14, 1938) — Vincent Youmans 2:52
  61. 4-2 When Buddah Smiles (Hilversum, June 14, 1938) 2:45
  62. 4-3 Swinging in the Groove (Hilversum, June 14, 1938) 3:07
  63. 4-4 The Darktown Strutter’s Ball (London, May 26, 1939) — Shelton Brooks 2:40
  64. 4-5 My Melancholy Baby (London, May 26, 1939) Standard — Ernie Burnett 2:48
  65. 4-6 Meet Doctor Foo (New York, October 11, 1939) — Coleman Hawkins 2:34
  66. 4-7 Fine Dinner (New York, October 11, 1939) — Coleman Hawkins 2:34
  67. 4-8 She’s Funny That Way (New York, October 11, 1939) Standard — Neil Moret 3:16
  68. 4-9 Body and Soul (New York, October 11, 1939) Standard — Johnny Green, Edward Heyman, Robert Sour 3:01
  69. 4-10 It’s Tight Like That (New York, December 14, 1939) 2:38
  70. 4-11 Easy Rider (New York, December 14, 1939) 3:19
  71. 4-12 Scratch My Back (New York, December 14, 1939) 3:16
  72. 4-13 Save It, Pretty Mama (New York, December 14, 1939) 3:01
  73. 4-14 When Day Is Done (New York, January 3, 1940) 3:22
  74. 4-15 The Sheik of Araby (New York, January 3, 1940) — Ted Snyder 3:01
  75. 4-16 My Blue Heaven (New York, January 3, 1940) — Walter Donaldson 2:51
  76. 4-17 Bouncing With Bean (New York, January 3, 1940) — Coleman Hawkins 3:07
  77. 4-18 How Long, How Long Blues (New York, January 15, 1940) — Leroy Carr 3:14
  78. 4-19 Shake It and Break It (New York, January 15, 1940) — Lou Friscoe Chiha 2:57
  79. 4-20 A Pretty Girl Is Like a Melody (New York, January 15, 1940) Standard — Irving Berlin 2:49
  80. 5-1 Pom Pom (New York, January 15, 1940) 3:11
  81. 5-2 Dedication (New York, May 25, 1940) — Leonard Feather 2:52
  82. 5-3 Passin’ It Around (New York, August 9, 1940) 3:14
  83. 5-4 Serenade to a Sleeping Beauty (New York, August 9, 1940) 3:05
  84. 5-5 Rocky Comfort (New York, August 9, 1940) — Coleman Hawkins 3:11
  85. 5-6 Forgive a Fool (New York, August 9, 1940) 2:56
  86. 5-7 Esquire Bounce (New York, December 4, 1943) — Leonard Feather 3:14
  87. 5-8 Boff Boff (Mop Mop) (New York, December 4, 1943) 3:09
  88. 5-9 My Ideal (New York, December 4, 1943) Standard — Newell Chase, Richard A. Whiting 3:08
  89. 5-10 Esquire Blues (New York, December 4, 1943) 3:16
  90. 5-11 Voodte (New York, December 8, 1943) 3:07
  91. 5-12 How Deep Is the Ocean (New York, December 8, 1943) Standard — Irving Berlin 3:23
  92. 5-13 Hawkins Barrel House (New York, December 8, 1943) 2:57
  93. 5-14 Stumpy (New York, December 8, 1943) 3:20
  94. 5-15 Lover Come Back to Me (New York, December 18, 1943) Standard — Sigmund Romberg 3:05
  95. 5-16 Blues Changes (New York, December 18, 1943) 4:13
  96. 5-17 Crazy Rhythm (New York, December 23, 1943) — Roger Wolfe Kahn, Joseph Meyer 3:14
  97. 5-18 Get Happy (New York, December 23, 1943) Standard — Harold Arlen 3:23
  98. 5-19 The Man I Love (New York, December 23, 1943) Standard — George Gershwin 5:05
  99. 6-1 Sweet Lorraine (New York, December 23, 1943) Standard — Cliff Burwell 4:18
  100. 6-2 I Only Have Eyes for You (New York, January 31, 1944) — Harry Warren 3:09
  101. 6-3 ’S Wonderful (New York, January 31, 1944) Standard — George Gershwin 2:38
  102. 6-4 I’m in the Mood for Love (New York, January 31, 1944) Standard — Jimmy McHugh 3:13
  103. 6-5 Bean at the Met (New York, January 31, 1944) — Coleman Hawkins 3:00
  104. 6-6 Woodyn’ You (New York, February 16, 1944) Standard — Dizzy Gillespie 3:02
  105. 6-7 Bu‐Dee‐Daht (New York, February 16, 1944) 3:15
  106. 6-8 Yesterdays (New York, February 16, 1944) Standard — Jerome Kern 2:58
  107. 6-9 Ol’ Man River (New York, May 1, 1944) — Jerome Kern 2:54
  108. 6-10 Wrap Your Troubles in Dreams (New York, May 1, 1944) Standard — Harry Barris 2:43
  109. 6-11 Flame Thrower (New York, February 17, 1944) 3:15
  110. 6-12 Imagination (New York, February 17, 1944) Standard — Jimmy Van Heusen 2:48
  111. 6-13 Night and Day (New York, February 17, 1944) Standard — Cole Porter 3:20
  112. 6-14 Cattin’ at Keynote (New York, February 17, 1944) 2:41
  113. 6-15 Disorder at the Border (New York, February 22, 1944) — Coleman Hawkins 2:59
  114. 6-16 Feeling Zero (New York, February 22, 1944) 3:01
  115. 6-17 Rainbow Mist (New York, February 22, 1944) — Coleman Hawkins 3:00
  116. 6-18 Pick‐Up Boys (New York, May 17, 1944) 3:04
  117. 6-19 Porgy (New York, May 17, 1944) 3:04
  118. 7-1 On the Sunny Side of the Street (New York, May 24, 1944) — Jimmy McHugh 4:43
  119. 7-2 Three Little Words (New York, May 24, 1944) Standard — Harry Ruby 4:45
  120. 7-3 Battle of the Saxes (New York, May 24, 1944) 4:36
  121. 7-4 Louise (New York, May 24, 1944) 4:52
  122. 7-5 Make Believe (New York, May 29, 1944) 4:43
  123. 7-6 Don’t Blame Me (New York, May 29, 1944) Standard — Jimmy McHugh 4:51
  124. 7-7 Just One of Those Things (New York, May 29, 1944) Standard — Cole Porter 4:31
  125. 7-8 Hallelujah (New York, May 29, 1944) 3:59
  126. 7-9 Step on It (New York, July 27, 1944) 3:07
  127. 7-10 Riding on 52nd Street (New York, July 27, 1944) 2:50
  128. 7-11 Memories of You (New York, July 27, 1944) Standard 2:57
  129. 7-12 Out to Lunch (New York, October 11, 1944) 2:53
  130. 7-13 In the Hush of the Night (New York, October 11, 1944) 2:56
  131. 7-14 Look Out Jack! (New York, October 11, 1944) 2:45
  132. 7-15 Every Man for Himself (New York, October 11, 1944) 2:51
  133. 7-16 I’m Yours (New York, October 12, 1944) 3:27
  134. 7-17 Under a Blanket of Blue (New York, October 12, 1944) Standard — Jerry Livingston 3:08
  135. 7-18 Beyond the Blue Horizon (New York, October 12, 1944) Standard — W. Franke Harling, Richard A. Whiting 2:54
  136. 8-1 A Shanty in Old Shanty Town (New York, October 12, 1944) Standard — Little Jack Little, Ira Schuster 2:58
  137. 8-2 My Man (New York, October 18, 1944) 3:13
  138. 8-3 El Salon de Gutbucket (New York, October 18, 1944) 2:58
  139. 8-4 Embraceable You (New York, October 18, 1944) Standard — George Gershwin 3:00
  140. 8-5 Undecided (New York, October 18, 1944) Standard 3:04
  141. 8-6 Recollections (New York, October 19, 1944) 2:53
  142. 8-7 Drifting on a Reed (New York, October 19, 1944) 3:02
  143. 8-8 Flyin’ Hawk (New York, October 19, 1944) 2:49
  144. 8-9 On the Bean (New York, October 19, 1944) 2:41
  145. 8-10 Sportsman’s Hop (New York, January 11, 1945) — Sir Charles Thompson 2:57
  146. 8-11 Bean Stalking (New York, January 11, 1945) 3:07
  147. 8-12 Ladies Lullaby (New York, January 11, 1945) 3:04
  148. 8-13 The Night Ramble (New York, January 11, 1945) 2:26
  149. 8-14 Leave My Heart Alone (New York, January 11, 1945) 2:37
  150. 8-15 Hawk’s Variations – Part I (New York, January, 1945) 2:21
  151. 8-16 Hawk’s Variations – Part II (New York, January, 1945) 2:21
  152. 8-17 April in Paris (Los Angeles, February 23, 1945) Standard — Vernon Duke 2:57
  153. 8-18 Rifftide (Los Angeles, February 23, 1945) 2:55
  154. 8-19 Stardust (Los Angeles, February 23, 1945) — Hoagy Carmichael 3:15
  155. 8-20 Stuffy (Los Angeles, February 23, 1945) 3:01
  156. 9-1 Hollywood Stampede (Los Angeles, February 23, 1945) — Coleman Hawkins 3:10
  157. 9-2 I’m Through With Love (Los Angeles, February 23, 1945) Standard — Fud Livingston, Matty Malneck 3:14
  158. 9-3 What Is There to Say (Los Angeles, February 23, 1945) — Vernon Duke 3:09
  159. 9-4 Wrap Your Troubles in Dreams (Los Angeles, February 23, 1945) — Harry Barris 3:07
  160. 9-5 Too Much of a Good Thing (Los Angeles, March 9, 1945) 2:54
  161. 9-6 Bean Soup (Los Angeles, March 9, 1945) 3:04
  162. 9-7 Someone to Watch Over Me (Los Angeles, March 9, 1945) Standard — George Gershwin 2:49
  163. 9-8 It’s the Talk of the Town (Los Angeles, March 9, 1945) Standard — Jerry Livingston 3:06
  164. 9-9 Just a Riff (Los Angeles, October, 1945) 3:19
  165. 9-10 What’s Happenin’ (Los Angeles, October, 1945) 2:56
  166. 9-11 Mop de Mop Mop (Los Angeles, October, 1945) 3:12
  167. 9-12 My Ideal (New York, January 8, 1944) — Newell Chase, Richard A. Whiting 3:17
  168. 9-13 Indian Summer (New York, December 4, 1946) Standard 3:13
  169. 9-14 Phantomesque (New York, June, 1947) 2:56
  170. 9-15 April in Paris (New York, December 11, 1947) — Vernon Duke 3:09
  171. 9-16 How Strange (New York, December 11, 1947) 3:02
  172. 9-17 Half Step Down Please (New York, December 11, 1947) — Tadd Dameron 3:03
  173. 9-18 Angel Face (New York, December 11, 1947) — Hank Jones, Geoffrey Keezer 3:13
  174. 9-19 Jumpin’ for Jane (New York, December 11, 1947) 3:09
  175. 9-20 Picasso (July‐August, 1948) 3:13
  176. 10-1 It’s Only a Paper Moon (Paris, December 21, 1949) Standard — Harold Arlen 3:02
  177. 10-2 Sih – Sah (Paris, December 21, 1949) 3:14
  178. 10-3 Bean’s Talking Again (Paris, December 21, 1949) 3:16
  179. 10-4 Bah – U – Bah (Paris, December 21, 1949) 3:21
  180. 10-5 I Surrender Dear (Paris, December 21, 1949) Standard — Harry Barris 3:12
  181. 10-6 Sophisticated Lady (Paris, December 21, 1949) Standard 3:12
  182. 10-7 (It’s No) Sin (New York, October 19, 1951) 2:58
  183. 10-8 And So to Sleep Again (New York, October 19, 1951) — Joe Marsala, Sunny Skylar 2:58
  184. 10-9 Spellbound (New York, January 31, 1952) 3:06
  185. 10-10 Lost in a Fog (New York, January 31, 1952) — Jimmy McHugh 3:07
  186. 10-11 Carioca (New York, January 31, 1952) — Vincent Youmans 2:28
  187. 10-12 Midnight Sun (New York, February 26, 1952) Standard — Sonny Burke, Lionel Hampton, Johnny Mercer 2:56
  188. 10-13 If I Could Be With You (New York, July 30, 1952) Standard — James P. Johnson 3:14
  189. 10-14 I Can’t Get Started (New York, July 30, 1952) Standard — Vernon Duke 2:57
  190. 10-15 My Blue Heaven (New York, Mid 1950) — Walter Donaldson 2:59
  191. 10-16 Honeysuckle Rose (New York, Mid 1950) — Fats Waller 3:35
  192. 10-17 Organ Grinder’s Swing (New York, Mid 1950) — Will Hudson 3:08
  193. 10-18 Perdido (New York, Mid 1950) Standard — Juan Tizol 4:35
  194. 10-19 Sweethearts on Parade (New York, Mid 1950) — Carmen Lombardo 3:41
  195. 10-20 Ruby (New York, April 27, 1953) 2:27
  196. 10-21 Song From Moulin Rouge (New York, April 27, 1953) — Georges Auric 2:57

Produktion

Weitere Alben von Coleman Hawkins

Jazz/Tones Disorder At The Border · Live · Kuarup Discos Sir Charles Thompson and His Band Starring Coleman Hawkins 1954 · Vanguard The Hawk Returns 1955 · Savoy Records The "Hawk" Talks 1955 · Decca Records The Hawk in Hi-Fi 1956 · RCA Victor The Genius of Coleman Hawkins 1957 · Verve The Hawk Flies High 1957 · Riverside At The Opera House 1957 · Live · High Definition Tape Transfers The High and Mighty Hawk 1958 · Felsted The Gilded Hawk 1958 · Capitol Records Soul 1958 · Prestige

Häufige Fragen

Wer spielte auf Portrait?

Zur Besetzung von Portrait gehören Coleman Hawkins (tenor saxophone), Gene Rodgers (piano), Oscar Pettiford (double bass), Al Casey (guitar), Budd Johnson (tenor saxophone, alto saxophone), Cozy Cole (drums (drum set)), Eustis Moore (alto saxophone) und Jackie Fields (alto saxophone).

Auf welchem Label erschien Portrait?

Portrait erschien 2001 bei Past Perfect.

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