ENDEIT

Album · 2001

Portrait

by Coleman Hawkins

Released
2001
Label
Past Perfect
Tracklist
196 tracks
Length
10:11:07
Country
DE

“Portrait” is an album by Coleman Hawkins, released in 2001 on Past Perfect. The original release has 196 tracks with a running time of 10:11:07. Jazz standards on the record include “A Pretty Girl Is Like A Melody”, “After You've Gone”, “April In Paris” and “Avalon”. The line-up features Coleman Hawkins (tenor saxophone), Gene Rodgers (piano), Oscar Pettiford (double bass), Al Casey (guitar) and Budd Johnson (tenor saxophone, alto saxophone).

Who played on Portrait

  • Coleman Hawkins tenor saxophone on 40 tracks
  • Gene Rodgers piano on 8 tracks
  • Oscar Pettiford double bass on 8 tracks
  • Al Casey guitar on 5 tracks
  • Budd Johnson tenor saxophone, alto saxophone on 5 tracks
  • Cozy Cole drums (drum set) on 5 tracks
  • Eustis Moore alto saxophone on 5 tracks
  • Jackie Fields alto saxophone on 5 tracks
  • Joe Guy trumpet on 5 tracks
  • Max Roach drums (drum set) on 5 tracks
  • Teddy Wilson piano on 5 tracks
  • Tommy Lindsay trumpet on 5 tracks
  • Walter Johnson drums (drum set) on 5 tracks
  • Arthur Herbert drums (drum set) on 4 tracks
  • Earl Hardy trombone on 4 tracks
  • J.C. Higginbotham trombone on 4 tracks
  • Sid Catlett drums (drum set) on 4 tracks
  • William Oscar Smith double bass on 4 tracks
  • Art Tatum piano on 3 tracks
  • Benny Carter trumpet on 3 tracks
  • Bernard Addison guitar on 3 tracks
  • Billy Taylor Sr. double bass on 3 tracks
  • Chuck Wayne guitar on 3 tracks
  • Cootie Williams trumpet on 3 tracks
  • Danny Polo clarinet on 3 tracks
  • Don Byas tenor saxophone on 3 tracks
  • Edmond Hall clarinet on 3 tracks
  • Ellis Larkins piano on 3 tracks
  • Fats Navarro trombone on 3 tracks
  • Hank Jones piano on 3 tracks
  • Israel Crosby double bass on 3 tracks
  • J.J. Johnson trombone on 3 tracks
  • Jack Lesberg double bass on 3 tracks
  • John Kirby double bass, bass on 3 tracks
  • Johnny Guarnieri piano on 3 tracks
  • Johnny Williams double bass on 3 tracks
  • Lawrence Lucie guitar on 3 tracks
  • Marion DeVeta bass on 3 tracks
  • Shelly Manne drums (drum set) on 3 tracks
  • Al Lucas double bass on 2 tracks
  • Andy Fitzgerald clarinet on 2 tracks
  • Bill Coleman trumpet on 2 tracks
  • Claude Jones trombone on 2 tracks
  • Denzil Best drums (drum set) on 2 tracks
  • Freddy Johnson piano on 2 tracks
  • Harry Carney baritone saxophone on 2 tracks
  • Henry “Red” Allen trumpet on 2 tracks
  • Hilton Jefferson alto saxophone, clarinet, reeds on 2 tracks
  • Horace Henderson piano on 2 tracks
  • Tab Smith alto saxophone on 2 tracks
  • Bobby Stark trumpet on 1 track
  • Clyde Hart piano on 1 track
  • Dicky Wells trombone on 1 track
  • Dizzy Gillespie trumpet on 1 track
  • Django Reinhardt guitar on 1 track
  • Eddie Heywood piano on 1 track
  • Eddie Robinson double bass on 1 track
  • Eddie Vanderveer trumpet on 1 track
  • Emmett Berry trumpet on 1 track
  • Ernie Powell alto saxophone on 1 track
  • Fritz Reinders guitar on 1 track
  • Howard McGhee trumpet on 1 track
  • J.C. Heard drums (drum set) on 1 track
  • Jack Pet double bass on 1 track
  • Jimmy Shirley guitar on 1 track
  • Kees Kranenburg drums (drum set) on 1 track
  • Leo Parker alto saxophone on 1 track
  • Leonard Lowry alto saxophone on 1 track
  • Mack Shopnick double bass on 1 track
  • Maurice van Kleef drums (drum set) on 1 track
  • Nelson Bryant trumpet on 1 track
  • Ray Abrams tenor saxophone on 1 track
  • Roy Eldridge trumpet on 1 track
  • Russell Procope reeds on 1 track
  • Russell Smith trumpet on 1 track
  • Sandy Williams trombone on 1 track
  • Sir Charles Thompson piano on 1 track
  • Stanley Black piano on 1 track
  • Stéphane Grappelli piano on 1 track
  • Thelma Carpenter vocals on 1 track
  • Tommy Stevenson trumpet on 1 track
  • Victor Coulsen trumpet on 1 track
  • Walter "Foots" Thomas alto saxophone on 1 track
  • Walter Catlett drums (drum set) on 1 track
  • William Cato trombone on 1 track

Tracklist

  1. 1-1 Hello, Lola (New York, November 14, 1929) 3:14
  2. 1-2 One Hour (New York, November 14, 1929) 3:25
  3. 1-3 Dismal Dan (New York, April 4, 1930) 3:07
  4. 1-4 Poor Richard (New York, April 4, 1930) 3:03
  5. 1-5 Down Georgia Way (New York, April 4, 1930) 3:30
  6. 1-6 Georgia on My Mind (New York, June 30, 1931) standard — Hoagy Carmichael 3:20
  7. 1-7 I Can’t Believe That You’re in Love With Me (New York, June 30, 1931) standard — Jimmy McHugh 3:07
  8. 1-8 The Darktown Strutter’s Ball (New York, June 30, 1931) — Shelton Brooks 3:28
  9. 1-9 You Rascal, You (New York, June 30, 1931) — Sam Theard 3:01
  10. 1-10 The Day You Came Along (New York, September 29, 1933) 3:37
  11. 1-11 Jamaica Shout (New York, September 29, 1933) 2:59
  12. 1-12 Heartbreak Blues (New York, September 29, 1933) 3:28
  13. 1-13 Happy Feet (New York, October 3, 1933) 2:49
  14. 1-14 Rhythm Crazy (New York, October 3, 1933) 3:17
  15. 1-15 Ol’ Man River (New York, October 3, 1933) standard 3:07
  16. 1-16 Minnie the Moocher’s Wedding Day (New York, October 3, 1933) — Harold Arlen 3:06
  17. 1-17 Ain’t Cha Glad (New York, October 3, 1933) 3:20
  18. 1-18 I’ve Got to Sing a Torch Song (New York, October 3, 1933) — Harry Warren 3:38
  19. 1-19 It Sends Me (New York, March 8, 1934) 3:15
  20. 1-20 I Ain’t Got Nobody (New York, March 8, 1934) standard 3:17
  21. 2-1 On the Sunny Side of the Street (New York, March 8, 1934) standard — Jimmy McHugh 3:28
  22. 2-2 Lullaby (London, November 18, 1934) 2:57
  23. 2-3 Lady Be Good (London, November 18, 1934) — George Gershwin 2:44
  24. 2-4 Lost in a Fog (London, November 18, 1934) — Jimmy McHugh 3:05
  25. 2-5 Honeysuckle Rose (London, November 18, 1934) standard — Fats Waller 3:04
  26. 2-6 Some of These Days (The Hague, February 4, 1935) — Shelton Brooks 2:32
  27. 2-7 After You’ve Gone (The Hague, February 4, 1935) standard — Turner Layton 2:36
  28. 2-8 I Only Have Eyes for You (The Hague, February 4, 1935) standard — Harry Warren 2:43
  29. 2-9 I Wish I Were Twins (The Hague, February 4, 1935) — Frank Loesser, Joseph Meyer 2:34
  30. 2-10 Hands Across the Table (The Hague, February 4, 1935) — Jean Delettre 3:05
  31. 2-11 Blue Moon (Paris, March 2, 1935) standard 3:13
  32. 2-12 Avalon (Paris, March 2, 1935) standard 2:59
  33. 2-13 What a Difference a Day Made (Paris, March 2, 1935) standard — María Grever 3:18
  34. 2-14 Stardust (Paris, March 2, 1935) — Hoagy Carmichael 3:12
  35. 2-15 Chicago (Casino Hamdorff, Laren, August 26, 1935) standard 3:02
  36. 2-16 Meditation (Casino Hamdorff, Laren, August 26, 1935) standard 3:02
  37. 2-17 What Harlem Is to Me (Casino Hamdorff, Laren, August 26, 1935) 2:43
  38. 2-18 Netcha’s Dream (Casino Hamdorff, Laren, August 26, 1935) 2:35
  39. 2-19 Love Cries (Zurich, May 4, 1936) 3:06
  40. 2-20 Sorrow (Zurich, May 4, 1936) 3:03
  41. 3-1 Tiger Rag (Zurich, May 4, 1936) — Eddie Edwards, Nick LaRocca, Henry Ragas, Tony Sbarbaro 2:23
  42. 3-2 It May Not Be True (Zurich, May 4, 1936) 3:11
  43. 3-3 I Wanna Go Back to Harlem (Casino Hamdorff, Laren, April 27, 1937) 2:59
  44. 3-4 Consolation (Casino Hamdorff, Laren, April 27, 1937) 3:03
  45. 3-5 A Strange Fact (Casino Hamdorff, Laren, April 27, 1937) 2:36
  46. 3-6 Original Dixieland One Step (Casino Hamdorff, Laren, April 27, 1937) 1:58
  47. 3-7 Smiles (Casino Hamdorff, Laren, April 27, 1937) 3:00
  48. 3-8 Something Is Gonna Give Me Away (Casino Hamdorff, Laren, April 27, 1937) — Coleman Hawkins 3:03
  49. 3-9 Honeysuckle Rose (Paris, April 28, 1937) — Fats Waller 2:45
  50. 3-10 Crazy Rhythm (Paris, April 28, 1937) standard 3:00
  51. 3-11 Out of Nowhere (Paris, April 28, 1937) standard 3:17
  52. 3-12 Sweet Georgia Brown (Paris, April 28, 1937) standard — Ben Bernie, Maceo Pinkard 3:00
  53. 3-13 Lamentation (Hilversum, May 26, 1937) 2:58
  54. 3-14 Devotion (Hilversum, May 26, 1937) 2:47
  55. 3-15 Star Dust (Hilversum, August 18, 1937) standard — Hoagy Carmichael 2:31
  56. 3-16 Well, All Right Then (Hilversum, August 18, 1937) 2:29
  57. 3-17 Blues Evermore (Hilversum, June 14, 1938) 2:45
  58. 3-18 Dear Old Southland (Hilversum, June 14, 1938) — Turner Layton 2:43
  59. 3-19 ’Way Down Yonder in New Orleans (Hilversum, June 14, 1938) — Turner Layton 2:54
  60. 4-1 I Know That You Know (Hilversum, June 14, 1938) — Vincent Youmans 2:52
  61. 4-2 When Buddah Smiles (Hilversum, June 14, 1938) 2:45
  62. 4-3 Swinging in the Groove (Hilversum, June 14, 1938) 3:07
  63. 4-4 The Darktown Strutter’s Ball (London, May 26, 1939) — Shelton Brooks 2:40
  64. 4-5 My Melancholy Baby (London, May 26, 1939) standard — Ernie Burnett 2:48
  65. 4-6 Meet Doctor Foo (New York, October 11, 1939) — Coleman Hawkins 2:34
  66. 4-7 Fine Dinner (New York, October 11, 1939) — Coleman Hawkins 2:34
  67. 4-8 She’s Funny That Way (New York, October 11, 1939) standard — Neil Moret 3:16
  68. 4-9 Body and Soul (New York, October 11, 1939) standard — Johnny Green, Edward Heyman, Robert Sour 3:01
  69. 4-10 It’s Tight Like That (New York, December 14, 1939) 2:38
  70. 4-11 Easy Rider (New York, December 14, 1939) 3:19
  71. 4-12 Scratch My Back (New York, December 14, 1939) 3:16
  72. 4-13 Save It, Pretty Mama (New York, December 14, 1939) 3:01
  73. 4-14 When Day Is Done (New York, January 3, 1940) 3:22
  74. 4-15 The Sheik of Araby (New York, January 3, 1940) — Ted Snyder 3:01
  75. 4-16 My Blue Heaven (New York, January 3, 1940) — Walter Donaldson 2:51
  76. 4-17 Bouncing With Bean (New York, January 3, 1940) — Coleman Hawkins 3:07
  77. 4-18 How Long, How Long Blues (New York, January 15, 1940) — Leroy Carr 3:14
  78. 4-19 Shake It and Break It (New York, January 15, 1940) — Lou Friscoe Chiha 2:57
  79. 4-20 A Pretty Girl Is Like a Melody (New York, January 15, 1940) standard — Irving Berlin 2:49
  80. 5-1 Pom Pom (New York, January 15, 1940) 3:11
  81. 5-2 Dedication (New York, May 25, 1940) — Leonard Feather 2:52
  82. 5-3 Passin’ It Around (New York, August 9, 1940) 3:14
  83. 5-4 Serenade to a Sleeping Beauty (New York, August 9, 1940) 3:05
  84. 5-5 Rocky Comfort (New York, August 9, 1940) — Coleman Hawkins 3:11
  85. 5-6 Forgive a Fool (New York, August 9, 1940) 2:56
  86. 5-7 Esquire Bounce (New York, December 4, 1943) — Leonard Feather 3:14
  87. 5-8 Boff Boff (Mop Mop) (New York, December 4, 1943) 3:09
  88. 5-9 My Ideal (New York, December 4, 1943) standard — Newell Chase, Richard A. Whiting 3:08
  89. 5-10 Esquire Blues (New York, December 4, 1943) 3:16
  90. 5-11 Voodte (New York, December 8, 1943) 3:07
  91. 5-12 How Deep Is the Ocean (New York, December 8, 1943) standard — Irving Berlin 3:23
  92. 5-13 Hawkins Barrel House (New York, December 8, 1943) 2:57
  93. 5-14 Stumpy (New York, December 8, 1943) 3:20
  94. 5-15 Lover Come Back to Me (New York, December 18, 1943) standard — Sigmund Romberg 3:05
  95. 5-16 Blues Changes (New York, December 18, 1943) 4:13
  96. 5-17 Crazy Rhythm (New York, December 23, 1943) — Roger Wolfe Kahn, Joseph Meyer 3:14
  97. 5-18 Get Happy (New York, December 23, 1943) standard — Harold Arlen 3:23
  98. 5-19 The Man I Love (New York, December 23, 1943) standard — George Gershwin 5:05
  99. 6-1 Sweet Lorraine (New York, December 23, 1943) standard — Cliff Burwell 4:18
  100. 6-2 I Only Have Eyes for You (New York, January 31, 1944) — Harry Warren 3:09
  101. 6-3 ’S Wonderful (New York, January 31, 1944) standard — George Gershwin 2:38
  102. 6-4 I’m in the Mood for Love (New York, January 31, 1944) standard — Jimmy McHugh 3:13
  103. 6-5 Bean at the Met (New York, January 31, 1944) — Coleman Hawkins 3:00
  104. 6-6 Woodyn’ You (New York, February 16, 1944) standard — Dizzy Gillespie 3:02
  105. 6-7 Bu‐Dee‐Daht (New York, February 16, 1944) 3:15
  106. 6-8 Yesterdays (New York, February 16, 1944) standard — Jerome Kern 2:58
  107. 6-9 Ol’ Man River (New York, May 1, 1944) — Jerome Kern 2:54
  108. 6-10 Wrap Your Troubles in Dreams (New York, May 1, 1944) standard — Harry Barris 2:43
  109. 6-11 Flame Thrower (New York, February 17, 1944) 3:15
  110. 6-12 Imagination (New York, February 17, 1944) standard — Jimmy Van Heusen 2:48
  111. 6-13 Night and Day (New York, February 17, 1944) standard — Cole Porter 3:20
  112. 6-14 Cattin’ at Keynote (New York, February 17, 1944) 2:41
  113. 6-15 Disorder at the Border (New York, February 22, 1944) — Coleman Hawkins 2:59
  114. 6-16 Feeling Zero (New York, February 22, 1944) 3:01
  115. 6-17 Rainbow Mist (New York, February 22, 1944) — Coleman Hawkins 3:00
  116. 6-18 Pick‐Up Boys (New York, May 17, 1944) 3:04
  117. 6-19 Porgy (New York, May 17, 1944) 3:04
  118. 7-1 On the Sunny Side of the Street (New York, May 24, 1944) — Jimmy McHugh 4:43
  119. 7-2 Three Little Words (New York, May 24, 1944) standard — Harry Ruby 4:45
  120. 7-3 Battle of the Saxes (New York, May 24, 1944) 4:36
  121. 7-4 Louise (New York, May 24, 1944) 4:52
  122. 7-5 Make Believe (New York, May 29, 1944) 4:43
  123. 7-6 Don’t Blame Me (New York, May 29, 1944) standard — Jimmy McHugh 4:51
  124. 7-7 Just One of Those Things (New York, May 29, 1944) standard — Cole Porter 4:31
  125. 7-8 Hallelujah (New York, May 29, 1944) 3:59
  126. 7-9 Step on It (New York, July 27, 1944) 3:07
  127. 7-10 Riding on 52nd Street (New York, July 27, 1944) 2:50
  128. 7-11 Memories of You (New York, July 27, 1944) standard 2:57
  129. 7-12 Out to Lunch (New York, October 11, 1944) 2:53
  130. 7-13 In the Hush of the Night (New York, October 11, 1944) 2:56
  131. 7-14 Look Out Jack! (New York, October 11, 1944) 2:45
  132. 7-15 Every Man for Himself (New York, October 11, 1944) 2:51
  133. 7-16 I’m Yours (New York, October 12, 1944) 3:27
  134. 7-17 Under a Blanket of Blue (New York, October 12, 1944) standard — Jerry Livingston 3:08
  135. 7-18 Beyond the Blue Horizon (New York, October 12, 1944) standard — W. Franke Harling, Richard A. Whiting 2:54
  136. 8-1 A Shanty in Old Shanty Town (New York, October 12, 1944) standard — Little Jack Little, Ira Schuster 2:58
  137. 8-2 My Man (New York, October 18, 1944) 3:13
  138. 8-3 El Salon de Gutbucket (New York, October 18, 1944) 2:58
  139. 8-4 Embraceable You (New York, October 18, 1944) standard — George Gershwin 3:00
  140. 8-5 Undecided (New York, October 18, 1944) standard 3:04
  141. 8-6 Recollections (New York, October 19, 1944) 2:53
  142. 8-7 Drifting on a Reed (New York, October 19, 1944) 3:02
  143. 8-8 Flyin’ Hawk (New York, October 19, 1944) 2:49
  144. 8-9 On the Bean (New York, October 19, 1944) 2:41
  145. 8-10 Sportsman’s Hop (New York, January 11, 1945) — Sir Charles Thompson 2:57
  146. 8-11 Bean Stalking (New York, January 11, 1945) 3:07
  147. 8-12 Ladies Lullaby (New York, January 11, 1945) 3:04
  148. 8-13 The Night Ramble (New York, January 11, 1945) 2:26
  149. 8-14 Leave My Heart Alone (New York, January 11, 1945) 2:37
  150. 8-15 Hawk’s Variations – Part I (New York, January, 1945) 2:21
  151. 8-16 Hawk’s Variations – Part II (New York, January, 1945) 2:21
  152. 8-17 April in Paris (Los Angeles, February 23, 1945) standard — Vernon Duke 2:57
  153. 8-18 Rifftide (Los Angeles, February 23, 1945) 2:55
  154. 8-19 Stardust (Los Angeles, February 23, 1945) — Hoagy Carmichael 3:15
  155. 8-20 Stuffy (Los Angeles, February 23, 1945) 3:01
  156. 9-1 Hollywood Stampede (Los Angeles, February 23, 1945) — Coleman Hawkins 3:10
  157. 9-2 I’m Through With Love (Los Angeles, February 23, 1945) standard — Fud Livingston, Matty Malneck 3:14
  158. 9-3 What Is There to Say (Los Angeles, February 23, 1945) — Vernon Duke 3:09
  159. 9-4 Wrap Your Troubles in Dreams (Los Angeles, February 23, 1945) — Harry Barris 3:07
  160. 9-5 Too Much of a Good Thing (Los Angeles, March 9, 1945) 2:54
  161. 9-6 Bean Soup (Los Angeles, March 9, 1945) 3:04
  162. 9-7 Someone to Watch Over Me (Los Angeles, March 9, 1945) standard — George Gershwin 2:49
  163. 9-8 It’s the Talk of the Town (Los Angeles, March 9, 1945) standard — Jerry Livingston 3:06
  164. 9-9 Just a Riff (Los Angeles, October, 1945) 3:19
  165. 9-10 What’s Happenin’ (Los Angeles, October, 1945) 2:56
  166. 9-11 Mop de Mop Mop (Los Angeles, October, 1945) 3:12
  167. 9-12 My Ideal (New York, January 8, 1944) — Newell Chase, Richard A. Whiting 3:17
  168. 9-13 Indian Summer (New York, December 4, 1946) standard 3:13
  169. 9-14 Phantomesque (New York, June, 1947) 2:56
  170. 9-15 April in Paris (New York, December 11, 1947) — Vernon Duke 3:09
  171. 9-16 How Strange (New York, December 11, 1947) 3:02
  172. 9-17 Half Step Down Please (New York, December 11, 1947) — Tadd Dameron 3:03
  173. 9-18 Angel Face (New York, December 11, 1947) — Hank Jones, Geoffrey Keezer 3:13
  174. 9-19 Jumpin’ for Jane (New York, December 11, 1947) 3:09
  175. 9-20 Picasso (July‐August, 1948) 3:13
  176. 10-1 It’s Only a Paper Moon (Paris, December 21, 1949) standard — Harold Arlen 3:02
  177. 10-2 Sih – Sah (Paris, December 21, 1949) 3:14
  178. 10-3 Bean’s Talking Again (Paris, December 21, 1949) 3:16
  179. 10-4 Bah – U – Bah (Paris, December 21, 1949) 3:21
  180. 10-5 I Surrender Dear (Paris, December 21, 1949) standard — Harry Barris 3:12
  181. 10-6 Sophisticated Lady (Paris, December 21, 1949) standard 3:12
  182. 10-7 (It’s No) Sin (New York, October 19, 1951) 2:58
  183. 10-8 And So to Sleep Again (New York, October 19, 1951) — Joe Marsala, Sunny Skylar 2:58
  184. 10-9 Spellbound (New York, January 31, 1952) 3:06
  185. 10-10 Lost in a Fog (New York, January 31, 1952) — Jimmy McHugh 3:07
  186. 10-11 Carioca (New York, January 31, 1952) — Vincent Youmans 2:28
  187. 10-12 Midnight Sun (New York, February 26, 1952) standard — Sonny Burke, Lionel Hampton, Johnny Mercer 2:56
  188. 10-13 If I Could Be With You (New York, July 30, 1952) standard — James P. Johnson 3:14
  189. 10-14 I Can’t Get Started (New York, July 30, 1952) standard — Vernon Duke 2:57
  190. 10-15 My Blue Heaven (New York, Mid 1950) — Walter Donaldson 2:59
  191. 10-16 Honeysuckle Rose (New York, Mid 1950) — Fats Waller 3:35
  192. 10-17 Organ Grinder’s Swing (New York, Mid 1950) — Will Hudson 3:08
  193. 10-18 Perdido (New York, Mid 1950) standard — Juan Tizol 4:35
  194. 10-19 Sweethearts on Parade (New York, Mid 1950) — Carmen Lombardo 3:41
  195. 10-20 Ruby (New York, April 27, 1953) 2:27
  196. 10-21 Song From Moulin Rouge (New York, April 27, 1953) — Georges Auric 2:57

Production

More albums by Coleman Hawkins

Jazz/Tones Disorder At The Border · Live · Kuarup Discos Sir Charles Thompson and His Band Starring Coleman Hawkins 1954 · Vanguard The Hawk Returns 1955 · Savoy Records The "Hawk" Talks 1955 · Decca Records The Hawk in Hi-Fi 1956 · RCA Victor The Genius of Coleman Hawkins 1957 · Verve The Hawk Flies High 1957 · Riverside At The Opera House 1957 · Live · High Definition Tape Transfers The High and Mighty Hawk 1958 · Felsted The Gilded Hawk 1958 · Capitol Records Soul 1958 · Prestige

Frequently asked questions

Who played on Portrait?

The line-up of Portrait includes Coleman Hawkins (tenor saxophone), Gene Rodgers (piano), Oscar Pettiford (double bass), Al Casey (guitar), Budd Johnson (tenor saxophone, alto saxophone), Cozy Cole (drums (drum set)), Eustis Moore (alto saxophone) and Jackie Fields (alto saxophone).

Which label released Portrait?

Portrait was released in 2001 on Past Perfect.

MusicBrainz (CC0): release group · release. Data compiled from open sources; see the source links below. Spotted an error? Let us know.